Currently teaching a writing course at Cambridge University, Sophie Hannah discusses the publishing routes available to new authors.
Military Aviator Nicholas Narbutovskih talks sci-fi, writing for video games and NFTs.
Chrissy Metge isn’t just an author of children’s books – she also works on the special effects for some of Hollywood’s biggest blockbusters.
Julia had to flee Ukraine due to the war, yet MiblArt’s work as a book cover design company continues.
Ace author website designer, Stuart Grant, explains why every author needs a site and how to go about securing one that’s going to help you sell more books.
Two years on and it’s back! Mark and James talk you through the exciting schedule for this year’s upcoming two-day SPS event in London.
So how do you get started as an indie author? Let multi-million selling indie superstar Mark Dawson and newbie author James Blatch be your guides!
Indie author superstar, Marie Force, on what it takes to keep your readers coming back for more.
Benedict Brown had almost given up on writing until he attended the Self Publishing Show Live. Now he’s a full-time author!
Nora Phoenix jumped straight into full-time writing with a six-figure salary… without running paid advertising.
Johnny B. Truant discusses Sterling & Stone, writing over 100 books, and his upcoming TV adaptation.
Jodi Burnett was fumbling through publishing until she found her niche.
Two publishing aggregate giants become one.
In a special episode of the Self Publishing Show, Anton Eine calls in from Ukraine to discuss the ongoing war and how it has affected his writing and publishing process.
Discover how releasing your audiobook as a weekly podcast can drive sales.
Following a near-death experience, Michael La Ronn juggles writing with family life and a full-time job.
How to build a framework to keep learning and stay ahead of the game.
Discover how Amy Daws reached the top of the charts without a new release.
When Meghan Quinn got fired while planning to adopt, she knew she had to make a full-time career out of writing.
C.R. Rowenson explains why magic isn’t just a way to explain the impossible.
